“The Truth for me must be what I need it to be." David Bohm describing the justifications of Ego. Whenever we allow our language to atrophy – as we do when we rely on labels to stand-in for complexities – we arrive at a paradox: We feel the need to be concise. We fear no… Continue reading “The truth for me…”
"How we position." Seems to call for an object, "What?" before we can get into wondering about "how;" or even, who "we" are; we want to know what. I could not add a what. Any of the possibilities that come to mind seem too limiting. Not necessarily in the ways we might expect. For instance,… Continue reading Realms. How we position.
Drawing has a series of definitions. We tend to think of drawing as a form of representation or even simply a notation. It is also a physical act. Not only does the artist draw a line. The archer draws a bow and a blacksmith draws metal. Let's look into this kind of drawing. It forms… Continue reading Drawn to Create
Schools fail us by teaching students how to work with knowledge rather than how to deal with ignorance, not be a sucker with the unknown. Nassim Taleb This neither begins nor ends with schools. In a time when the most popular public stance is to celebrate our fears and idolize those who act on them… Continue reading Questions of Identity
Chris, excellent. The one quibble I have is that I don't think you're considering the full implications of what you've suggested: "It's a recognition of the total futility of any effort for victory for the side of ecology, conservation, or Gaia, on this civilization's terms." The last four words -- on this civilization's terms --… Continue reading Carving Spaces
The trouble with talking about Craft is that everyone thinks they already know what it is. Let's take a deep breath and set all those assumptions aside. Easier said than done. To begin, here's some of what Craft is not: Backward Anachronistic, and therefore not a viable way to proceed. Continue…
It's customary to link awe with shock these days. "Shock & Awe!" Followed by that grimacing grin primates and dogs instinctively make when something that pleases them also uncovers a deep well of shame. The look we came to identify with W…. Shock & Awe would come to be the signature spell of the late… Continue reading Awe and Wonder
Dissensus is a tough master. If I choose to follow dissensus I pledge that though what I espouse holds no intent to violate any other, I will refrain from destroying anyone, though they espouse my destruction and this refusal might lead to my own death. I see no other way to make a break with… Continue reading Dissensus, Hygiene, Quality, Rhetoric, and Integration; a Stab at a Synthesis…
Attending Quality You see, if Quality is obvious, what need is there for persuasion? Let that sink in. Look at any example of persuasion, any explanation, any form of consensus building. They are all attempts, like in The Wizard of Oz, for the Man-behind-the-curtain to get us to look the other way.
In dreams we approach a form of knowing that we find difficult to access while awake. We tend to discount the sensation that there was "something to it." Or, we displace our fascination within the dream in a vain attempt to narrate its dramatic particulars. As this fails to match our original wonder, as we… Continue reading Stop Counting
One reason things have been a little slow here in the past few weeks has been the work involved editing this conversation with Jeppe Dyrendom Graugaard. It is now up on his site: Pattern Which Connects. Here is his introduction: Last February I approached Tony Dias for an interview about his involvement in and thoughts… Continue reading Pattern Which Connects, Finding Community
This latest post on Boats for difficult times connects with the stream of concerns we delve into here.